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Nudist films first appeared in the early s as documentaries, Utopian and docu-dramas promoting the healthy lifestyle of the naturist movement in Europe and the U.

Earliest examples include This Nude World , a narrated documentary filmed in the U. Throughout the thirties, nudist films like Why Nudism?

The nudist-camp movie was revived in the s with Garden of Eden , the first naturist film shot in color. Changes in censorship laws led to a flood of films such as Naked Venus directed by Edgar G.

Friedman , and Herschell Gordon Lewis. Edward Craven Walker , the inventor of the lava lamp , was a major figure in the naturist movement.

He made three nudist films under the name Michael Keatering. Nudist films claimed to depict the lifestyles of members of the nudism or naturist movement, but were largely a vehicle for the exhibition of female nudity.

They were mainly shot in naturist resorts, but augmented by attractive glamour models. The nudity was strictly non-sexual and when filmed frontally the members' pubic area was strictly covered by the angle of shot or some clothing or other objects.

There was uninhibited exposure of breasts and backsides though. The acting and technical production standards were not very high and the outlets for their exhibition were very limited, as was the size of the audience interested in these films, and many films were re-released several times under new titles, to trick patrons into seeing the films additional times.

What audience there was lost interest in these films by the mids and production ceased. At the same time, some independent producers produced erotic feature films which openly contained female nudity without the pretext of a naturist context.

These nudie-cuties followed the formula of being humorous films with hapless, bumbling males and glorified women. The groundbreaking The Immoral Mr.

Teas directed by Russ Meyer was the first of such films. In that film, the context for the presentation of female nudity was the fantasies of the main character.

The film is widely considered the first pornographic feature not confined to under-the-counter distribution, and the film was commercially successful.

For the next few years a wave of such films, known as "nudies" or "nudie-cuties", were produced for adult theatres in the United States sometimes called grindhouse theatres.

The films bailed out movie houses that were facing stiff competition from television at the time. Friedman film The Adventures of Lucky Pierre , and Ed Wood ' s horror-nudie Orgy of the Dead , with its bevy of topless dancers from beyond the grave, following his Western screenplay Revenge of the Virgins , which shows a fierce tribe of bare-breasted Indian women hunting a group of treasure seekers.

There were very many other similar films and sequels. One of the most renowned nudie-cuties is The Imp-probable Mr Weegee , a pseudo-documentary in which famed crime photographer Arthur Fellig , nicknamed "Mr.

WeeGee", stars as himself. In the film, he falls in love with a store window dummy. Besides Russ Meyer , the only director in this field to go on to critical success is Francis Ford Coppola , who began his career writing and directing a pair of nudie comedies in , Tonight for Sure and The Bellboy and the Playgirls.

In Michael Powell 's controversial British film Peeping Tom , released in , a model Pamela Green lies back on a bed waiting to be photographed by the killer in a key scene.

She undoes her top briefly exposing one of her breasts. The scene is regarded as the first female nude scene in a mainstream postwar English-language feature film, and notably the first such scene for a British film.

The movie was panned by critics at the time and it reportedly destroyed Powell's directing career in the UK. The film is now seen as a cult classic ; Martin Scorsese re-released it in Another release, the American horror film Macumba Love , featured a brief topless scene of June Wilkinson frolicking in the ocean.

This segment, which caused a sensation at the time, only was seen in the European release of the film. By now the Production Code had been revised so that it served less as a doctrine of rules and more as a workable set of precautions, including those on sex and nudity, to which filmmakers were advised on the more graphic depictions and given exceptions that could be made.

It gave the MPAA the power to label certain films that were seen as containing adult or provocative material as "Suggested for Mature Audiences".

The unfinished film Something's Got to Give included a nude pool swim scene with Marilyn Monroe. For the filming of the scene, a body stocking was made for Monroe, and the set was to be closed to all but necessary crew.

However, Monroe asked photographers to come in, including William Woodfield , and took off the body stocking and swam in only a flesh-colored bikini bottom.

However, this was not the first instance of Monroe being filmed in the nude. In the John Huston film The Misfits , Monroe, playing the lead female character, drops a sheet during an intimate scene, exposing herself on camera.

Huston, however, decided not to include the footage in the final cut, as he believed it was of no value to the story. Taylor and has been, as of , in the possession of his son, Curtice Taylor, since The distinction of being the first mainstream American actress to appear nude in a starring role went to actress Jayne Mansfield in the film Promises!

The film was banned in Cleveland and some other cities, [26] though later the Cleveland court decided the nude scenes in the film were not lewd.

She does a nudie. In , that kind of box office appeal was all she had left. It contains 32 pages of black-and-white photographs from the movie printed on glossy paper.

The Pawnbroker , released in , breached the Motion Picture Production Code with actresses Linda Geiser and Thelma Oliver who later became the mystic and yoga teacher Krishna Kaur Khalsa fully exposing their breasts.

The nudity resulted in a backlash from moral and religious conservatives, including the Catholic Legion which by that time had become a virtually powerless fringe organization.

However, critical and overall public response was positive, and many Catholics rebuked the Legion's condemnation of the film. The thriller The Collector contained mild nudity of Samantha Eggar and added to the challenge to the blanket prohibition of nudity in films.

Antonioni's mod -influenced murder-mystery contained a scene involving two girls undressing before being chased around a studio by a fashion photographer, who wrestles them to the ground and exposes their torsos.

There are additional scenes depicting sexuality and partial nudity, as well as blatant drug use.

The film was produced in Britain and released to American audiences by MGM without Production Code approval, the first mainstream motion picture containing nudity to be released by a major studio in the US, [34] the first open defiance by a major studio of the Code.

Another epic, the historical film Hawaii featured scenes of topless native girls. John Frankenheimer 's sci-fi thriller Seconds contained an extended sequence of full frontal male and female nudity that was deleted from the original American release in which bohemian revelers dance and play in a wine vat.

A new cycle of more realistic sex dramas and gritty, film noir-inspired crime stories mostly filmed in black-and-white emerged to dominate the adult market.

These films had a much harder edge and dealt with racy subjects such as infidelity, wife-swapping, prostitution, lesbianism, drugs, white slavery, rape, psycho-killers, sex cults, decadence, sadomasochism, and sexual perversion.

The films that concentrate on the dark and violent side of sexuality are generally known as "roughies". Prime examples of roughie sexploitation include: Lewis and Friedman's Scum of the Earth!

Sexploitation films initially played in grindhouse theatres [37] and struggling independent theaters.

However, by the end of the s they were playing in established cinema chains. Frost's Love Camp 7 was the forerunner of the women in prison and Nazi exploitation subgenres which have continued to the present day.

Their stories feature women in prison who are subjected to sexual and physical abuse, typically by sadistic male or female prison wardens and guards.

The genre also features many films in which imprisoned women engage in lesbian sex. These films discarded all moralistic pretensions and were works of pure fantasy intended only to titillate the audience with a lurid mix of sex and violence, including voyeurism strip searches, group shower scenes, cat-fights to sexual fantasies lesbianism , to fetishism bondage, whipping, degradation , and outright sadism rape, sexual slavery, beatings, torture, cruelty.

In Japan, Seijun Suzuki 's Gate of Flesh was the first mainstream film with nudity seen in "general release" as opposed to adults-only theaters.

Suzuki was a pioneer of the film noir. His surreal and influential Branded to Kill contains several scenes of casual nudity the actors had to wear adhesive patches to avoid censorship problems.

In Japan, films called pink films pinky violent movies were partly influenced by the Japanese Ero guro films which focuses on sexual corruption, and decadence.

Many, such as Shogun's Joys of Torture by Teruo Ishii , deal directly with sadomasochism or include fetishistic scenes of female victims being bound.

Since then nudity in various forms has become more common. A number of actresses have appeared nude or partially nude in films, and it has become increasingly common for actresses to appear topless in movies.

In an interview in March , Halle Berry said that her toplessness in Swordfish was "gratuitous" to the movie, but that she needed to do the scene to get over her fear of nudity, and that it was the best thing she did for her career.

Having overcome her inhibitions, she went on to a role in Monster's Ball , which required her to be nude in a sex scene featuring her and Billy Bob Thornton , and which won her an Oscar for Best Actress.

In , Judd Apatow announced "I'm gonna get a penis or a vagina in every movie I do from now on. It really makes me laugh in this day and age, with how psychotic our world is, that anyone is troubled by seeing any part of the human body.

Actors and actresses are usually informed of nude scenes well in advance, and nudity waivers require directors to state what will be shown and how it will be presented.

This is generally stipulated in the nudity clause of a performer's contract. Actress Anne Hathaway said in an interview with National Public Radio, "The director submits a shot list, and you look over them for approval.

And a lot of times, if an actor feels the shot demands a lot of them, they'll demand money for it. The tastefulness of nude scenes is hotly debated in the United States.

Adding nudity to films may potentially hurt a film's commercial potential. Some European films showed more nudity than the American films, due to less strict attitudes about nudity in some parts of Europe.

European films exhibited in the United States were not subject to the Hays Code , though some did create controversy.

The Greek film Daphnis and Chloe by Orestis Laskos featured the first nude scene in a European fiction film, showing Chloe bathing in a fountain.

It was very controversial on its release in the United States and is credited with contributing to the repressive regime under the Hays Code.

Leni Riefenstahl 's Olympia , which was produced as Nazi propaganda and a documentary of the Summer Olympics held in Berlin, has an opening sequence noted for its idealized, non-exploitive use of male and female nudity.

Alessandro Blasetti 's La cena delle beffe Dinner of fun , had Clara Calamai in what is credited as being the first topless scene in an Italian film.

It was soon followed by similar scenes in the Italian films La corona di ferro The Iron Crown , and Carmela Other noteworthy European films which contained nudity include Italian film Era lui Makers of the British film The Pleasure Girls shot an alternate version of a party scene with brief nudity that only appears in the export print.

The British-Italian film Blowup became the first mainstream English-language film to show a woman's pubic hair, although the particular shot was only a few seconds long.

Some sources, such as Playboy' s History of Sex in Cinema series, have stated that the pubic hair exposure was unintended. Two Swedish films from , I Am Curious Yellow and Inga , were ground-breaking—and famous—for showing explicit sex and nudity.

Both were initially banned in the U. I Am Curious Yellow was banned in Massachusetts, more on the basis of the sexuality than the nudity, and was the subject of prosecution.

There was a surge in nudity in film in the United Kingdom after The gritty social drama This Sporting Life was among the first to include glimpses of male nudity.

The surreal student protest film If Ken Russell 's Women in Love was especially controversial for showing frontal male nudity in a wrestling scene between Oliver Reed and Alan Bates.

Glenda Jackson won the Academy Award for Best Actress in that film, the first performer to win for a role that included nude scenes.

There was also a long line of sex comedies , beginning with Mary Had a Little Series producer Peter Rogers saw the George Segal movie Loving and added his two favorite words to the title, making Carry On Loving the twentieth in the series, [52] followed by Carry On Girls , based around a Miss World -style beauty contest.

The Italian-produced Last Tango in Paris , directed by Bernardo Bertolucci , was one of the first commercial films to openly contain nudity, and led to the boom of other fashion erotic films, such as the French-produced Emmanuelle and the Franco-German production Story of O by Just Jaeckin , the Franco-Japanese production In the Realm of the Senses by Nagisa Oshima, and the Italian-American produced Caligula by Tinto Brass.

The films of Catherine Breillat , a French filmmaker, are well known for containing explicit nudity. Her film Une vraie jeune fille contains close-ups of actress Charlotte Alexandra 's breasts and vulva and actor Bruno Balp's erect penis, some of which are particularly graphic in nature including a sequence where an actor attempts to insert an earthworm into Alexandra's vagina.

This resulted in the film not officially being released until Other actresses who have appeared in explicit full-frontal nude scenes in Breillat's films include Caroline Ducey in Romance and Roxane Mesquida in Sex Is Comedy Bernardo Bertolucci 's film The Dreamers included extensive full frontal nude scenes, male and female, and graphic sex scenes.

European attitudes towards depictions of nudity tend to be relatively relaxed and there are few taboos around it. Showing of full frontal nudity in movies, even by major actors, is common and it is not considered damaging to the actors' careers.

In recent years explicit unsimulated sexual intercourse occurs in movies which target the general movie-going audience, albeit those usually labeled 'arthouse' product; for example, Michael Winterbottom 's 9 Songs and Lars von Trier 's The Idiots.

The Italian film , a. Another scene features two prepubescent boys undressing, one of whom is shown frontally naked. They then compare the lengths of their penises, and attempt to retract their foreskins, during which one of them becomes fully erect.

The Finnish documentary Steam of Life about men in saunas shows nudity throughout the film. Much full frontal nudity is displayed, but not of any of the main characters.

The French film Stranger by the Lake is set on a male nude beach, showing much male full frontal nudity. Although there has been a gradual relaxation of attitudes towards nudity, changes in laws can lead to more stringent criteria.

One prominent case involved Walkabout which includes numerous scenes of full frontal nudity featuring year-old Jenny Agutter which did not pose a problem when submitted to the British Board of Film Classification BBFC in and later in , since the Protection of Children Act permitted the distribution and possession of indecent images of people over the age of 16; however, the Sexual Offences Act raised the age threshold to 18 which meant the actress' age was a factor when the film was re-submitted in The BBFC reviewed the scenes in regards to the law and deemed them to not be "indecent" and passed the film uncut.

Had this not been the case, the film would have been refused classification and it would have effectively made it illegal to possess a copy of the film, including copies that had been purchased legally at the time.

Over the years, nudity in film was a source of scandal and provocation; but its presence today is treated largely naturally, frequently with nudity being shown in scenes that naturally require it, such as those that take place in nature or in the bathroom or in love scenes.

For example, The Blue Lagoon shows the awakening of the sexual instinct in two shipwrecked young cousins — one male, one female — on a tropical island where nudity is a natural part of the environment in which they find themselves.

The relationship between a painter and his model, who traditionally poses in the nude, is the context of a number of films. In La Belle Noiseuse "The Beautiful Liar", the painter's model motivates him again after a period of lack of inspiration of the artist.

There are film scenes where nudity, in routine and non-sexual situations, such as mixed shower scenes, has been used to emphasize gender equity in the future, as in Starship Troopers.

Female nudity has been fairly common in Japanese cinema since at least the s when the director Seijun Suzuki included nude scenes in his yakuza exploitation films such as Branded to Kill The unexpurgated version of the film has never been shown in Japan, and the film negatives had to be secretly shipped out of the country to France for developing.

Eri Ishida appeared naked in Enrai and Daburu Beddo , before going on to mainstream success. In , Hitomi Kuroki appeared nude in Keshin.

New Love in Tokyo was notable for having one of the first scenes of uncensored pubic hair. Full-frontal adult male nudity in which genitals are fully revealed traditionally has been taboo in mainstream cinema from East Asia and for actors of East Asian origin living outside East Asia , in sharp contrast to the situation in mainland Europe, but similar to the US.

However, two rare early examples of a challenge to this taboo occurred: first, in the early years of cinema in mainland China, in the black-and-white silent film The Big Road , directed by radical 's Chinese film director Sun Yu , which features the full-frontal [63] nudity of a group of young men skinny-dipping in a river, while being observed by two women, [64] a scene described as "very advanced for the time".

It is the first part of a trilogy, depicting Officer Hanzo Itami's foiling of a plot by corrupt officials in Edo period Japan.

Reviewer: skybandit - favorite favorite favorite favorite favorite - May 20, Subject: Apeism is the shit! There seems to be no renewal for this film at the US Copyright Office.

Enjoy the boobies, and ignore the whining of religious nuts. Five stars just to offset the previous poster.

Reviewer: loninappleton - favorite favorite favorite favorite - August 24, Subject: The lost Doris Wishman films Does anyone really know which of the DW films have copyright or not?

The color, the cars and the beatnik jazz flute music are tooo much! I think they are great. Something Weird Video has a complete collection of Wishman Films curiously all uniformly priced which means to me that their vault collection should be free like archive.

She has an entry at wikipedia as well. Cudos to archive. Reviewer: CyborgSam - favorite favorite favorite favorite - February 18, Subject: I loved it, not what I expected.

I don't consider this cheesecake, to me it wasn't intended to be titillating. Since it was made at the beginning of the sexploitation era, it shows a lot of breasts but no crotch shots.

I loved how the first two nudists introduced were Frank and Annette, I assumed they were making fun of the beach movies. And those hairdos, women wouldn't go in the water because they didn't want to ruin their plastic sprayed do.

As a kid we thought it was an accident, but as an adult I wonder why the were left there Those magazines only showed the nudist lifestyle, no sex.

They weren't as titillating to the 10yo me as they were eye-opneing that people lived a completely different life style from what I saw on TV.

I thought they were real Wishman on Internet Archive! This is a movie I have not seen yet and am looking forward to. I am a fan of sexploitation films, which by definition were films that showed cheesecake while pretending to be about something else.

I am familiar with some of her mid-to-late sixties films and the famous Chesty Morgan films of the seventies, starring a woman whose breasts were as oversized as her fashion sense was dowdy.

Doris Wishman freely admitted in interviews that she went into filmmaking without previous production experience and next to no knowledge of what she was doing.

She was also mechanically inept to boot and left the camera operation and the editing to the people on her staff.

This led to a style unlike just about any other director who ever made a film: a real original. Sorry for the off-topic. Reviewer: Earle Bruce - favorite favorite favorite favorite - February 2, Subject: great fun Dull but interesting.

Reviewer: sillyfann - favorite favorite favorite favorite - February 2, Subject: "This Is Outrageous! Beautiful cars and women with some strange hairdos.

Not bad quality either. Reviewer: skybandit - favorite favorite favorite favorite favorite - May 20, Subject: Apeism is the shit! There seems to be no renewal for this film at the US Copyright Office.

Enjoy the boobies, and ignore the whining of religious nuts. Five stars just to offset the previous poster.

Reviewer: loninappleton - favorite favorite favorite favorite - August 24, Subject: The lost Doris Wishman films Does anyone really know which of the DW films have copyright or not?

The color, the cars and the beatnik jazz flute music are tooo much! I think they are great. Something Weird Video has a complete collection of Wishman Films curiously all uniformly priced which means to me that their vault collection should be free like archive.

She has an entry at wikipedia as well. Cudos to archive. Reviewer: CyborgSam - favorite favorite favorite favorite - February 18, Subject: I loved it, not what I expected.

I don't consider this cheesecake, to me it wasn't intended to be titillating. Since it was made at the beginning of the sexploitation era, it shows a lot of breasts but no crotch shots.

I loved how the first two nudists introduced were Frank and Annette, I assumed they were making fun of the beach movies.

And those hairdos, women wouldn't go in the water because they didn't want to ruin their plastic sprayed do.

As a kid we thought it was an accident, but as an adult I wonder why the were left there Those magazines only showed the nudist lifestyle, no sex.

They weren't as titillating to the 10yo me as they were eye-opneing that people lived a completely different life style from what I saw on TV.

I thought they were real Wishman on Internet Archive! This is a movie I have not seen yet and am looking forward to. I am a fan of sexploitation films, which by definition were films that showed cheesecake while pretending to be about something else.

I am familiar with some of her mid-to-late sixties films and the famous Chesty Morgan films of the seventies, starring a woman whose breasts were as oversized as her fashion sense was dowdy.

Doris Wishman freely admitted in interviews that she went into filmmaking without previous production experience and next to no knowledge of what she was doing.

She was also mechanically inept to boot and left the camera operation and the editing to the people on her staff. This led to a style unlike just about any other director who ever made a film: a real original.

Sorry for the off-topic.

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